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Saturday 5th July 2008
Strode Theatre, Street at 7.30 P. M.
The Mid-Somerset Orchestra
http://www.midsomersetorchestra.co.uk, conductor Paul
Denegri, leader Hywel Jenkins, presents its Summer Prom
“Breakers! Cornwall and the Sea”.
Programme:
• Smyth: Overture The Wreckers
• Elgar: Sea Pictures
Soloist: Kathy Taylor-Jones
• Arnold: Four Cornish Dances
• Bax Tintagel
• Elgar: March Pomp & Circumstance No 1
• Arnold arr. Lane: March Padstow Lifeboat
• Arne arr. Sargent: Rule Britannia
• Parry arr Elgar: Jerusalem
Ticket prices: £9: Full, £7: Concession, £1: Age 18 and
under.
Tickets, all reserved, available from Strode Theatre Box Office,
tel. 01458 442846 info@strodetheatre.co.uk. The box office is
open Monday to Saturday 10.30 A. M. – 6.30 P. M. and welcomes
‘phone bookings with credit cards. The MSO recommends booking in
advance for this concert.
The Mid-Somerset Orchestra’s 2008 summer prom is full of music
inspired by the sea, and in particular music which responds to
the impact that the sea has on one geographical location, the
peninsular land of Cornwall, in fact, fiction and myth. The
programme is made up of the work of English (but not Cornish!)
composers, all but one of whom were knighted. This is also the
first occasion that the orchestra has had the opportunity to
programme the work of Sir Malcolm Arnold, a one time resident of
Cornwall, since that composer’s death in 2006. The only composer
to have had the honour of the MSO performing his work in his
lifetime, the orchestra dedicates this concert affectionately to
his memory! The MSO welcomes Paul Denegri as conductor of this
concert. Paul leads a busy free-lance career as performer,
conductor and composer as well as being the “inspirational” head
of brass teaching at Wells Cathedral School!
The concert opens in controversy with the dramatic overture to
Dame Ethyl Smyth’s opera “The Wreckers”. It marks how unfair it
is that the work of women composers is rarely programmed, and
especially Smyth’s which stands up with the best. It marks 90
years since women were first allowed to vote in the UK,
following a major campaign of protest of which Smyth was a high
profile leader. The opera also presents an allegation of
criminal activity, that of deliberately luring cargo ships on to
rocks in order to wreck and plunder them, which the Cornish
people have often been accused and where there is no proven case
of it ever having happened. Needless to say, the residents of
Cornwall have never accorded this opera the status of a national
anthem!
Moving on to a more general depiction of the sea, the MSO will
give its 3rd performance of the popular orchestral song cycle
“Sea Pictures” by Sir Edward Elgar, setting texts by various
poets including one by the composer’s wife. The MSO is pleased
to welcome mezzo-soprano Kathy Taylor-Jones to sing the 5 songs.
Kathy’s career to date has been mainly working in opera all over
the UK and she will be performing in this concert on the heels
of completing a full-time contract with Opera North for their
winter, spring and summer 2007-8 seasons appearing in 5
different operas.
After a performance of Sir Malcolm Arnold’s 4 lively Cornish
Dances, the programme will look to the genuinely mythical
inspiration of Cornwall and the Sea in the symphonic poem
“Tintagel” by Sir Arnold Bax in which the composer, whilst
depicting the realistic swell and crash of waves against the
rocks of North Cornwall, invites us to conjure up the legendary
world of King Arthur and the knights of the round table and the
story of Tristram and Iseult.
The MSO’s traditional “last night of the proms” fare will see
new departures from previous practice, but will open with a
welcome return of Elgar’s 1st Pomp and Circumstance march
incorporating the tune to “Land of Hope and Glory”. Present day
Cornwall will be represented by Arnold’s march “Padstow
Lifeboat”, complete with fog horn (!), before Kathy Taylor-Jones
returns to that platform to lead all those present in a
rendition of Thomas Arne’s Rule Britannia as arranged by Sir
Malcom Sargent. The concert will end with Jerusalem by Sir
Charles Hubert Parry in the superb orchestration by Elgar.
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